Related |
Unrelated |
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enge |
Heikki
Valpola, (*1946) Clowns The sad clown |
limitedness |
wideness |
weite |
Richard Strauss, (1864-1949) Salome, Op 54 Tanz der sieben Schleier (Dance of the Seven Veils) |
wideness |
limitedness |
nadel |
Arnold Schönberg, (1874-1951) String Trio, Op 45 |
needle |
river |
fluss |
J. S. Bach, (1685-1750) Das wohltemperierte Klavier (The Well-Tempered
Clavier), BWV 846-869
Prelude in C minor |
river |
needle |
maenner |
Dimitri Schostakowitsch, (1906-1975) Symphony No 5, Op 47 IV. Allegro non troppo |
men |
women |
frauen |
Ottorino Repighi, (1879-1936)
La boutique fantasque, ballet after Rossini V. Cancan |
women |
men |
glas |
Sergej Prokofiev, (1891-1953) Scythian Suite, Op 20 III. Night |
glass |
circle |
kreis |
Otto Besch, (1885-1966) Mittsommerlied (Midsummer Song) for String Quartet |
circle |
glass |
andacht |
Michael Praetorius, (1571-1621) Choral: In dich hab ich gehoffet, Herr (from the Polyhymnia caduceatrix) for Brass Instruments |
devotion |
mischief |
uebermut |
Carl Nielsen, (1865-1931) Symphony No 2 "The Four Temperaments", Op.16 IV: Allegro sanguineo |
mischief |
devotion |
bluete |
Leo Delibes, (1836-1891) Lakme Dome epais le jasmin (Flower Duet) |
blossom |
staircase |
treppe |
Franz Liszt, (1811-1886) Mephisto Waltz No 1 |
staircase |
blossom |
wiege |
Frederic Chopin, (1810-1849) Ballade No 2, Op 38 |
cradle |
toxin |
gift |
Fancis Poulenc, (1899-1963) Le bal masqué (The masked ball), Op 60 V. La dame aveugle |
toxin |
cradle |
koenig |
J. S. Bach, (1685-1750) Cantata BWV 120: Gott, man lobet dich in der Stille (God, We Praise Thee Now In The Stillness) Chorus: Jauchzet, ihr erfreuten Stimmen (Triumph, all ye joyous voices) |
king |
bird |
vogel |
Charles Bizet, (1838-1875) L` Arlesienne Suite No 2 I. Pastorale |
bird |
king |
keller |
D. Erdmann, (*1917) Concerto for Bass Clarinet and Orchestra |
basement |
sun |
sonne |
Claude Debussy, (1962-1918) La Mer II. Movement |
sun |
basement |
perlen |
Franz Liszt, (1811-1886) Gnomenreigen (Dance of the Gnomes) |
pearls |
primeval
forest |
urwald |
Siegfried Fink, (*1928) Pictures for Percussion Kakota |
primeval
forest |
pearls |
illusion |
Alexander Borodin, (1833-1887)
In the Steppes of Central Asia |
illusion |
reality |
realitaet |
Paul Hindemith, (1895-1963) String Quartet No 2 in F minor, Op 10 I. Sehr lebhaft, straff im Rhythmus |
reality |
illusion |
flucht |
Benjamin Britten, (1913-1976) Diversions on a Theme, for Piano (Left Hand) and Orchestra , Op 21 |
abscondence |
consolation |
trost |
J. S. Bach, (1685-1750) Cantata BWV 186: Ärgre dich, o Seele nicht (Vex thyself, O spirit, not) |
consolation |
abscondence |
held |
Ludwig van Beethoven, (1770-1827) Egmont Overture, Op 84 |
hero |
angel |
engel |
Wolfgang Amadeus Mozart, (1756-1791) Sonata for Piano, 4-hands in D major, K. 381 (K. 123a) II. Andante |
angel |
hero |
spott |
Ludwig Kletsch Das lachende Saxophon (The laughing Saxophone), for Saxophone Quartet |
derision |
prayer |
gebet |
Anonymus (15th century) |
prayer |
derision |
kampf |
Benjamin Britten, (1913-1976) Sinfonia de Requiem, Op 20 II. Dies Irae |
fight |
sigh |
seufzer |
Wolfgang Amadeus Mozart, (1756-1791) Requiem, K. 626 III. Sequenz - No. 6 - Lacrimosa |
sigh |
fight |
streit |
Ernest Bloch, (1880-1959) Duet for Cello and Violin I. Movement |
quarrel |
peace |
frieden |
J. S. Bach, (1685-1750) Cantata BWV 208: Was mir behagt, ist nur die muntre Jagd (My only joy is in the merry hunt! ) Aria: Schafe können sicher weiden (Sheep may ever graze securely ) |
peace |
quarrel |
fest
|
Leopold Mozart, (1719-1787) Symphony in D major "Bauernhochzeit (Peasant Wedding)" V. Finale |
celebration |
load |
last |
Gustav Mahler, (1860-1911) Symphony No 1 in D major III. Movement |
load |
celebration |
rot |
Igor Stravinsky, (1882-1971) Rite of Spring II. The Sacrifice: Glorification Of The Chosen Victim |
red |
blue |
blau |
Gustav Horst, (1874-1934) The Planets , Op 32 VII. Neptune, The Mystic |
blue |
red |
ankunft |
Dimitri Schostakowitsch, (1906-1975) Festival Overture, Op 69 |
arrival |
leave |
abschied |
Ernest Farrar, (1885-1918) English Pastoral Impressions, Op 26 Over the Hills and far away |
leave |
arrival |
karawane |
Carl Nielsen (1865-1931) Aladdin-Suite, Op 34 V. The Market Place In Ispahan |
caravan |
battue |
treibjagd |
Maurice Ravel, (1875-1937) Concerto for Piano in G major I. Allegramente |
battue |
caravan |
china |
Siegfried Fink, (*1928) Ostinati Maschina for Percussion |
china |
bavaria |
bayern |
Traditional polka music |
bavaria |
china |
kreissaege |
Richard Strauss, (1864-1949) Don Quixote, Op 35 III. Variation |
circular saw |
musical clock |
spieluhr |
Jan L. Dussek, (1760-1812) Sonata for Harp and Piano in F major, Op 69/3 II. Allegretto |
musical clock |
circular saw |